Sunday, 24 March 2019

17 In Service

Our new Garraway-era 17 is finished and has been taken for a test run on Dduallt.


Comparison with the twins 11 and 12, show that the shade of green on this latest carriage is different despite using nominally the same paint.

I can only assume it’s something to do with it being a new tin and there being a discrepancy in the product.

I also wanted to draw your attention to one of the significant little details that Himself adds to these carriages.

He makes up tiny little heritage door handles which look for at the world like minute split pins.


It must be terribly fiddly.

Friday, 22 March 2019

Flipped


152 has been turned upside down to begin work on detailing the chassis.


One of the distinctive features of these two obs carriages is he twin vacuum brake cylinders, which are mounted opposing each other at a jaunty angle.

All the other superbarns have single ones which are set vertically, as far as I can tell.

These are made with a length of styrene tube which has a thick cap added at one end, and then filed into a very shallow dome.

The other end has a plain cap before a piece of strip is glued around the outside to form a ring, and the tanks are then mounted on some small blocks to give them the angle.

The have some very circuitous pipework running around them, but that’s a topic for another post.

Wednesday, 20 March 2019

Scores On The Doors

Bowsider 17 has reached the stage where Himself is adding the transfers, the most obvious of which are the big numerals on the doors.


For this he’s always used the HMRS presfix decals, but this carriage has required him to start on a new sheet, and his is not impressed.

Can you tell the difference?

The first two ‘3’ on the left hand side are from the old sheet, and all the rest are from the new one.

Himself thinks they are a little ‘blobby’.

I’m not sure I would have noticed if he hadn’t pointed it out.

He tells me he’s seen a few similar comments online recently about a perceived drop in the quality.

What I do know is that the Precision Decals FR crests we use are superb.

Monday, 18 March 2019

Getting A Handle On It

The latest superbarn saloon is inching closer to completion.


Himself has added the grab rails onto the ends of 120.

He hates these with a passion - and I don't blame him.

They're very fiddly to fabricate out of brass wir.

The carriage body has been given a coat of varnish so all that's needed now is to install the glazing, and the door handles, and it's ready to join the fleet.

Saturday, 16 March 2019

Making Connections

Work has started on adding all the wiggly bits to the power bogies of the new Garratt - the fifth one, if you're counting.


You can see that the fly cranks and coupling rods are fitted, and all the bits of the valve gear are ready to be assembled.

Each of these power bogies really are a work of art in their own right.

The thing that really stands out is how huge those cylinders are for a 2ft gauge locomotive - could you imagine that scaled up on a standard gauge machine with the same diameter of wheels!

It's also worth noting that the chassis is driven off the front axle - which makes sense when you think about where the tanks sit on an NGG/16 - and all the drive goes through the motion.

This is proper miniature engineering.

Thursday, 14 March 2019

Cocktail Carr

Sometimes modelling is about finding pragmatic solutions to tricky tasks, and so it is with painting a panelled bowsider.


Himself has started adding in the ivory inserts on 18 and tells me that he’s been using a cocktail stick as a more precise way of getting the paint where he wants it rather than a brush.

Who knew?

Tuesday, 12 March 2019

Front Passenger Seats

Time for modelling has been limited this last week (I seem to be saying that rather too often!) but I managed to grab half hour to fix more of the interior of 152 into position.


The bit which takes the time is the upright screens which separate the observation section from the main saloon.

There is a concave corner where it joins the window pillar which I form by filing an indent into a piece of styrene, then I slice off the little right angle section and fix it onto the top corner of the screen.


This is why I like working with the material because you can graft on pieces like this so much easier than with metal - or at least, I can.

Now I just need to form the cupboard in the entrance vestibule at the back before turning it over and starting on the underside.