In the final days of the year I like to look back at everything we've achieved in our modelling at opposite ends of the country.
January 2014 began with Himself putting the finishing touches to our model of Welsh Pony which he built - after a long struggle - from a Mercian Models kit.
We shall wait until the FR has completed the restoration of the real Welsh Pony, but as they're making impressive progress on that we shouldn't have to wait too long.
It's also amusing to look back and see that the year has been book-ended with me casting interiors for Super Barn carriages.
Back in January this was the first one I'd done.
Himself was also starting work on making our third NGG16 from the fabulous Backwoods Miniatures kit.
Progress was so swift that by the next month I was reporting the completion of the rear power unit. I could look at that valve gear all day...
I was cracking on with making a trio of Super Barn carriages for a client with the body parts cast in resin and the roofs cut from an empty super-sized beer can.
It's a hard life sometimes!
The Artistic Director also produced some long-awaited plans for the 3rd & 4th houses in the Oberon Wood estate which were a true work of art as always.
It didn't take me very long to get the first of the houses knocked up in styrene.
Himself sent us some 'works portaits' of our completed 138 which, unlike Welsh Pony, moves as good as it looks.
And with the deadline for our next exhibition appearance in September a big push began to try and get the layout as complete as possible.
Things started getting heavy, quite literally, in April as Himself began work on the rock faces in Cutting Mawr using real Welsh rock.
The 'Head of Steel' advanced rapidly with track being laid on another new board, the gently curving section which makes up the final part of the big S bend behind Beddgelert station.
I was being kept busy making another batch of Super Barns for another client, this lot had to be supplied painted but without interiors.
At the same time I was also getting on well with making the 4th house for the estate.
There are common themes to the designs but they are all different so you have to pay close attention to the plans drawn up by the Artistic Director and cross-check with my on research photographs.
This one required some corrections late on in the build process...
At the back of the layout Himself was making the last of the bridges over the Afon Cwm Cloch.
Here is a shot of him checking clearances with a Garratt and the longest carriage, the Pullman observation car 'Glaslyn'.
To be continued....