Replicas Running

Now the varnish has set, and the bogies been fixed on,  Himself has sent me a couple of pictures of our new replicas - Ashbury 21 and Hudson toast rack 39 - on a test run on the layout.

21 is from a Worsley brass body kit and 39 was scratch built with most of the body cast in resin by myself,

This gives us a very respectable length of a 'Garraway' vintage set strengthens our 'Col Stephens' options as well, although we are a few green bug boxes short in that department.

They look very good posed in the platform at Beddgelert station on Bron Hebog.

It shouldn't be too much longer before our Bachmann Double Fairlies arrive and I'm really looking forward to seeing what the green Earl of Merioneth looks like hauling some of our green and ivory and all-over red stock.

Totally out of period for us, of course, but it's nearly Christmas so we're allowed, aren't we?

ROTY - Part 1

It's always interesting in the last few days of December to look back at all the modelling - and blogging - we've done over the course of the year.

I'm always surprised by both how little and how much we've achieved.

Often I'll look back and see that a model that we've only just completed was started in January and in other cases we've finally finished off something that has been lying part-built in a drawer somewhere for years.

So here, then is the first part of the Bron Hebog Review of the Year.

January

Himself began 2015 by getting down to work on painting our 3rd Garratt, 138.

We'd chosen the colour of the red together at the the exhibition in Hull a few weeks before (he's never been good at reds) but at this stage I had a few doubts about whether I'd got the shade quite right.

I was getting started on a project I'd been thinking about for many years, to make a replacement pair of models of FR carriages 11 and 12 in their current condition.

What finally spurred me into action was the recent death of legendary FR GM Allan Garraway.

During FR Vintage events these carriages run in what's known as the Garraway Set and so I felt it was really time I got around to making them as a little tribute to him and his huge contribution to making the FR what it is today.

February

Turns out I really didn't need to worry about that shade of red at all!

Himself finished painting and lining 138.

It looked truly magnificent!

He also began on one of the Christmas presents he received.

This was my not-very-subtle way of ensuring that another of my long-term projects - an updated Conway Castle - got started.

March

Some things never change - I was building houses for the layout!

This was the early stages of a row of houses that run in front of the cutting into Goat Tunnel.

As spring sprung it became warm enough for Himself to venture into the 'Grandad Cave' again and he began filling the Afon Cwm Cloch with fake water.

April

As you can see, I was making good progress on the houses this month.

All of the houses in the Oberon Wood scheme are different and not one of them is what you would call a conventional house design.

On the other hand, with over a dozen of the to make, at least I could never complain that the task was becoming repetitive, even if it did involve a lot of head scratching some times!

April was show time again!

We took the layout to a show at Crawley and 138 made its public debut.

Apologies if this sounds a little conceited, but it doesn't half look good!

We'll look back at May - August next time.

Look out

A reader of the Bron Hebog Facebook page asked me how I was going to make the master for the guard's look out duckets on 11 & 12 so I thought I should show you some step by step pictures.

Instead of trying to carve the curvy shape out of a solid block I prefer to build it up with a framework with a thin styrene skin over the top.

In the first picture below you can see I'm making it up on a thick section of styrene because it's going to be used as a casting master.

I'm using 0.60" seize styrene and I've laid out the formers for the flat, square upper section of the ducket.

The bars on the outer edges of the top section are inset because this is going to form the tiny window opening - you'll see the effect when the skin is placed on top.

I've quartered a piece of styrene tube and glued that along the top - with a slight lip - to represent the tumble home at the top and the very bottom bar has been shaved a little with the blade of the scalpel to round off its edge.

Next I glue on a 'skin' to the exact same width as the framework.

It's quite thin. I've chosen 0.10" sheet. You'll see why in a moment.

You can also see how the window opening is there now.

In this last shot which shows the completed ducket you can see that I have pressed the tail of the skin down and glued it to the backing piece to form the distinctive curvy profile and chopped it off at the bottom.

I have also added some thin beading strip and filled the gaps with Milliput.

Now it's ready to have a box built around it and be covered in gooey moulding rubber mix.